Worlds in Collision

In my recent works, two worlds collide — the ancient and the modern.

A girl on a scooter rushes through the city like a guide between realities. Faces caught in the glow of neon or the fire of a forgotten goddess become mirrors of an era where a person has lost their true form.

Each painting is a moment before revelation — a breath before something hidden beneath the skin of the world begins to open. Light and darkness, fire and emptiness, ancestral memory and the pulse of the street merge into a single stream inviting you to step inside.

My works do not explain. They open portals.

And everyone who looks can feel this tension: something is approaching.

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